Gogol portrait history of creation presentation. Presentation on the topic "N

Slides and text of this presentation

“The material and the eternal in the story
N.V. Gogol “Portrait”. What won, what destroyed and why?

The material and the eternal in the story
N.V. Gogol’s “Portrait”. What won, what destroyed and why? *What made Gogol reconsider his attitude towards the story “Portrait” and remake it?
*The image of St. Petersburg in the story. The theme of the city in the works of A. S. Pushkin and N. V. Gogol.
*Plot plan and composition of part 1 of the story.
*Plot plan and composition of part 2 of the story.
*What connects Pushkin’s story “The Queen of Spades” and Gogol’s “Portrait”?

*Painting and iconography in the story.

Training topic:

Training topic:
N.V. Gogol “Portrait”.
Academic subject:
Literature
Participants:
Pupils of 8 "B" class

Creative tasks

What made Gogol reconsider his attitude to the story “Portrait” and remake it? (booklet);




What is the difference between the attitudes of Pushkin and Gogol towards people?
(presentation pages);

Research assignments
for studentsWhat made Gogol reconsider his attitude to the story “Portrait” and remake it? (booklet);
The image of St. Petersburg in the story. The theme of the city in the works of A. S. Pushkin and N. V. Gogol. (presentation page);
Plot plan and composition of part 1 of the story (presentation pages);
Plot plan and composition of part 2 of the story (presentation pages);
What connects Pushkin’s story “The Queen of Spades” and Gogol’s “Portrait”?
What is the difference between the attitudes of Pushkin and Gogol towards people?
(presentation pages);
Painting and iconography in the story. (publication).

Results of student research work

1 group
worked on the topic
“What made Gogol reconsider his attitude towards the story “Portrait” and remake it?” (booklet) and concluded:
Having left Russia after the scandal associated with the premiere of The Government Inspector, Gogol finds refuge in Italy. He lives in Rome, surrounded by great works of art from different times and contemporary Russian artists who, having graduated from the St. Petersburg Academy of Arts with a medal, received a pension to improve their art in Italy. Among Russian artists, Gogol was especially attracted to Alexander Ivanov, who painted the painting “The Appearance of Christ to the People,” making many sketches from life, endlessly changing the poses of the characters in his painting and the color illuminating them and nature. The criticism of V.G. Belinsky and the tireless work of A. Ivanov prompted Gogol to reconsider his attitude towards the story “Portrait” and remake it. By 1841, Gogol completed this work. The surname of the main character has changed: previously his name was Chertkov, which emphasized the connection with evil spirits. Gogol excluded from the story scenes of mystical, inexplicable appearances of the portrait and customers. The style of the story became clearer, and the realistic characteristics of the minor characters were developed: Nikita, the professor, the owner of the house, the policeman, and the lady customers.

N.V. Gogol is only a continuer of the traditions of A.S. Pushkin. There is a whole series of stories where the CITY itself provokes people to actions and misdeeds - “Petersburg Stories”.

3 group
worked on the topic
“Plot plan and composition of parts 1 and 2 of the story. Comparison."
The story has a two-part structure, which is extremely important for understanding the work. Having drawn up the plot plan and composition of parts 1 and 2 of the story, we traced the path of the heroes “from talent to death”, “through trials to flourishing”. What makes the heroes go this route? Portrait! And he carries evil within himself.
The juxtaposition of the first and second parts in Gogol’s “Portrait” is intended to convince the reader that evil can take possession of any person, regardless of his moral nature.

2nd group
worked on the topic
“The theme of St. Petersburg in the story. The theme of the city in the works of A. S. Pushkin and N. V. Gogol" (presentation)

4 group
worked on the topic “What connects the story “The Queen of Spades” by A. S. Pushkin and the story “Portrait” by N. V. Gogol?”
Pushkin, in Hermann’s vision, shows how conscience mysteriously appears in the hero’s soul, interrupted by the desire to win. But a person can resist evil, he is his own master. Gogol writes a scene that reveals to the reader how the artist is possessed by evil, and a person cannot fight it.

6 group
worked on the topic
“Painting and iconography in the story” The artist, whose fate is traced in the second part, is similar in height of spirit and manner of work to Alexander Ivanov, with whom Gogol became so close friends in Rome and who painted the picture “The Appearance of Christ to the People,” hoping for the awakening of goodness in the light of true truth. Constantly painting Gogol, Ivanov made him first one, then another, then the third character in the picture, but in the end he assigned him a place in the figure closest to Christ. However, location does not determine the spiritual height of a figure. On the contrary, the manifestation of genuine good turns the “nearest” into a shadow, which is embarrassedly covered in a cloak with a hood. This was the verdict pronounced by Alexander Ivanov on Gogol.
All the paintings mentioned in the story turned out to be real: the great canvas that changed the fate of Chartkov - “The Appearance of Christ to the People” by Ivanov, “The Last Day of Pompeii” by Karl Bryullov; icon created by artist B. - icon of the “Nativity of Christ”.

Slide No. 10

Final assignment for all students

What is material and what is eternal?
The thing is evil.
Eternal is good.

Essay “Good and Evil in N.V. Gogol’s story “Portrait”.

“...The juxtaposition of the first and second parts in Gogol’s “Portrait” is intended to convince the reader that evil is capable of mastering any person, regardless of his moral nature. And it will always be like this. After all, the portrait disappears. Evil is walking around the world, finding new victims...
Why does the author need this? It seems to me that the author once again calls on the artist to be careful, attentive, responsible, calls, first of all, to maintain purity of heart, to “keep awake” in soul.”

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Slide captions:

For the 200th anniversary of the birth of Nikolai Vasilyevich Gogol, THE STORY “PORTRAIT” Prepared by the teacher of the Municipal Educational Institution Lyceum No. 17, Vladimir Kakshina Irina Evgenievna 2008

St. Petersburg through the eyes of N.V. Gogol And during the day... And at night...

Petersburg stories... I will do it! Life is boiling inside me. My works will be inspired. A Divinity inaccessible to the earth will blow over them! I will commit... N.V. Gogol

The Russian novel and Russian story began with Gogol... V.G. Belinsky Let's think about the symbolic title of the story. What is a portrait?

How to use a gift and not lose yourself?.. ART ART TEMPTATION Give cognates for the word art

Is there any point in devoting yourself to art? Doesn't a person ruin his very life by indulging in this activity, subordinating himself to the idol of earthly beauty? Gogol thought... What questions will you ask and how will you answer them?

What are the reasons for the death of the artist Chartkov, the hero of Gogol's story? What significance does the fantastic image of the portrait of an old moneylender play in the story? Let's follow along with the writer how the talent of Andrei Petrovich Chartkov fades away step by step. In the meantime, let's answer questions about the story

How Andrei Petrovich Chartkov’s talent is fading away step by step. “Look, brother, you have talent; It will be a sin if you destroy him... Be careful that you don’t turn out to be a fashionable painter.”

“But did I really have talent?” Questions for the episode: 1. Why was Andrei Chartkov so struck by the painting painted by his former classmate? 2.Whose assessment is reflected in the statement: “Pure and immaculate, like a bride, stood before him the artist’s work”? Provide evidence from the text. 3. What changes took place in Chartkov’s soul? Why did the idea of ​​portraying a “fallen angel” suit his condition? 4. Was there harmony in the world where Andrei Petrovich Chartkov lived? 5. How did Chartkov pay for his deal with the devil?

Class assignment 1. Match the beginning of each part of the story. What are their similarities? What do they add to Chartkov’s characterization? 2. Why do you think N.V. Does Gogol use the technique of reverse composition? 3. What is the significance of the episode about life in Kolomna in the story? 4. To which of the heroes of the work can the spiritual advice of St. Theophan the Recluse, given as an epigraph, be attributed, and why? 5. Why does Gogol put his judgments about art, about the role of the artist in it, into the mouth of a monk-icon painter? 6. What feelings and thoughts does the incident associated with the disappearance of the portrait of the “terrible money lender” evoke in the heroes of the story and its readers?

“You have a path ahead of you along which your life will flow from now on. Don't be fooled by him. You have talent; talent is the most precious gift of God - do not destroy it. Explore, study everything you see, conquer all brushes, but be able to find the inner thought in everything and most of all try to comprehend the high secret of creation. Blessed is the chosen one who owns it.” N.V. Gogol Blessed is the chosen one...

Gogol was an artist of the highest level, but he also had a heightened religious talent. In the end, it prevailed in him over a purely artistic thirst for creativity. Gogol realized: art, no matter how high it rises, will remain among the treasures on earth. For Gogol, the treasures in heaven became more necessary. MM. Dunaev

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Group 1 worked on the topic “What made Gogol reconsider his attitude to the story “Portrait” and remake it?” (booklet) and concluded: Having left Russia after the scandal associated with the premiere of The Government Inspector, Gogol finds refuge in Italy. He lives in Rome, surrounded by great works of art from different times and contemporary Russian artists who, having graduated from the St. Petersburg Academy of Arts with a medal, received a pension to improve their art in Italy. Among Russian artists, Gogol was especially attracted to Alexander Ivanov, who painted the painting “The Appearance of Christ to the People,” making many sketches from life, endlessly changing the poses of the characters in his painting and the color illuminating them and nature. The criticism of V.G. Belinsky and the tireless work of A. Ivanov prompted Gogol to reconsider his attitude towards the story “Portrait” and remake it. By 1841, Gogol completed this work. The surname of the main character has changed: previously his name was Chertkov, which emphasized the connection with evil spirits. Gogol excluded from the story scenes of mystical, inexplicable appearances of the portrait and customers. The style of the story became clearer, and the realistic characteristics of the minor characters were developed: Nikita, the professor, the owner of the house, the policeman, and the lady customers.

“Portrait” is a story by Nikolai Vasilyevich Gogol from the cycle “Petersburg Tales”. The story was created over the years and was first published in the book “Arabesques. Various Works of N. Gogol" in the Second Edition (the text was significantly revised at the end of 1841 - beginning of 1842) was published in 1842 in the third book of Sovremennik.

Plot A young artist Chartkov living in poverty, despite the fact that he has nothing to pay for the rent of an apartment, in a shop on the Shchukinsky yard buys for two kopecks a portrait of an unknown person, an old man in Asian clothes, who attracted his attention because the eyes of the person depicted look exactly like alive. Arriving home, he cannot get rid of the impression that the old man is looking at him; at night Chartkov has nightmares associated with the portrait. In one of the dreams, an old man comes out of a frame with a bag full of money, and the artist manages to grab one package with the inscription “1000 chervonets.” In the morning, when the policeman appears, demanding payment for the apartment from Chartkov, in the frame of the portrait is found exactly the same package that the artist saw in his nightmare.

Chartkov moves to a luxurious apartment on Nevsky Prospekt, advertises in the newspaper, and soon he has many customers. Chartkov becomes a fashionable artist, paints many portraits. He satisfies the needs of clients, but many of his former acquaintances notice that his talent, which was clearly evident before, has disappeared. Chartkov becomes a miser and a misanthrope. Having seen a painting by one of his former acquaintances at the exhibition, he realizes that his own works are actually far from perfect. Chartkov locks himself in his workshop and tries to create something similar, but he fails; then he begins to buy paintings and destroy them. Soon Chartkov goes crazy and suddenly dies.

After some time, at a certain auction, among other objects of art, a portrait of an Asian man, once bought by Chartkov, is exhibited. When the price increases significantly during the auction, artist B appears and declares that he has special rights to this painting. To support his words, he tells a story. He describes a moneylender who once lived in St. Petersburg Kolomna, who was known for the fact that he could lend any amount on seemingly favorable terms, but as a result it always turned out that in fact he accrued huge interest. A deal with a moneylender invariably brought misfortune to his clients.

B.'s father, also an artist who lived nearby, received an order for a portrait from an Asian man. Since he had long been thinking about portraying the spirit of darkness in the guise of his neighbor, he accepted the order. However, while working on the portrait (in which the eyes are especially scary), the artist begins to experience an incomprehensible horror and eventually quits work and runs away from the customer’s house. The next day the moneylender dies, and the maid brings the unfinished portrait to the artist. Over time, the artist begins to feel strange changes in himself. He wants to burn the portrait, but his friend dissuades him and takes it for himself; then he sells it to his nephew. Each owner of the portrait is haunted by misfortunes, and its creator’s wife, daughter and son soon die.

Then the artist, realizing that part of the old man’s soul had entered the portrait, sends his surviving eldest son to the Academy of Arts, and he himself goes to a monastery, where after some time of leading a strict life and self-sacrifice, he paints the Nativity of Christ, and his work turns out to be filled with holiness. The son visits him in the monastery, and the father tells him some instructions and thoughts about art, and also bequeaths him to find the portrait and destroy it. Artist B. introduces himself as the son of the author of the portrait and says that after many years of searching he finally found the painting. But when he, and with him the auction visitors, turns to the wall where the canvas hung, it turns out that the portrait has disappeared.

N.V.Gogol

"Portrait"

The work was carried out by the teacher of Russian language and literature of the Shlyapnikovskaya Secondary School Perevozchikova L.Yu.

good and evil

outside a person or inside him?

Problem

What caused Chartkov’s terrible fate?

The story of the moral fall of the artist Chartkov reflected the writer’s thoughts about:

• good and evil

• in true sense

human life

• moral choice

• conscience

• spiritual fall and resurrection

Vital path Chartkova

Buying a portrait of a moneylender

Became a fashionable painter

Creation of a portrait of Psyche

Visit the exhibition

Creation paintings

Envy

"An artist with talent"

Death

The artist's journey from Italy

Created a pure, immaculate work of art

Chose Raphael as a teacher

Attended exhibitions

I gave everything to art

Immersed in work

becoming a hermit

Went to Italy

Had a passion for art

good

Talent

Love of creativity

The ability to create

Understanding: work is the path

to perfection

Impatience

The pursuit of fashion, fame

Comfortable life

Wealth

Narcissism

Conceit

Pride

Contempt for people

Envy

Desire for revenge

Conclusion

The moneylender in the story is the embodiment of evil, he is the devil. The devilish element in him is strong. Everything that comes from him is destructive. A person who sells his soul to the devil is doomed.

The path of an icon painter

Creates a picture

where it is stated

goodness and light

Created a portrait

moneylender

The path of repentance and

cleansing the soul

Envy

Painted paintings for the church

Conclusion

• Evil can take possession of any person, regardless of his moral nature - this is what happened to the icon painter

• The moneylender is the embodiment of evil that walks around the world

• One must have enormous strength of spirit and purity of heart, otherwise evil will subjugate a person

Good and evil are eternal.

Evil is as indestructible as good.

The words of the moneylender are symbolic:

“I don’t want to die at all, I want to live.” Therefore, it is no coincidence that his portrait, stolen by someone at an auction, forever remains in the world to tempt with the glitter of gold and easy fame.

LET'S THINK

"Evil is indestructible"

"Evil can be destroyed

finally"

conclusions according to the lesson

Good and evil both outside and inside a person .

Human life is an active

choice between good and evil.

The talent of an artist in the world can